Lighting Archives - Redman Movies & Stories

Arri M90 High Speed

Daily $

High-speed ballasts are starting to become more important with the high-speed HD cameras. Up until the M90, 4K was the largest wattage high-frequency ballast out there, so it’s such a benefit to have this availability now. This is the biggest, brightest unit you’ll find with a high-speed ballast. Allowing you to shoot at frame rate 1,000 FPS or higher.

Arri M40 High Speed

Daily $

ARRI’s new generation of ballasts incorporates an AutoScan feature that ensures optimum light and image quality with a minimum of effort for high-speed recording up to 1,000 fps and beyond.

Arri Skypanel

Daily $

The SkyPanel has been tested here at Redman. We can confirm that this light works at frame rates as high as 2400 FPS.

Nila Boxer

Daily $

The Nila Boxer is an excellent replacement for an 800 to 1200 watt HMI, or a 1200 to 2000 watt tungsten fixture, while drawing a mere 250 watts. The Nila Boxer does not flicker or break, even in the harshest environments. Built in dimmers are DMX controllable, and the Boxer’s 90-240 volt supply works anywhere in the world.

Sumo Space Light

Daily $

• Powerful Output up to 13,500 Lux [1,254 fc] at 3 m [10 ft]

• Bi-Color, Smooth and Accurate Color Adjustment 3,000-6,000 K

• Ultra High Color Rendition TLCI 99, CRI 95

• Interchangeable Optics for 30°, 60°, 120° Beam Angle

• 0-100% Dimming Range

• Flicker Free at Infi nite Frame Rates

• DMX/RDM, Ethernet and Wireless Interfaces

• Passive Cooled, No Fans or Moving Parts

• 500 W Power Consumption • Fixture Weight 5.5 Kg [12 lbs]

Sumo Space Light Spec Sheet

Luminys 10K Softsun

Daily $

Wattage:	10,000
Lamp Type:	Enhanced Spectrum Plasma™
Color Temperature: .	5,000º Kelvin
CRI:	+96
Dimensions:	68”L x 23”H x 48″D (172.72 x 58.42 x 121.92 cm)
Weight:	160 Pounds (72.58 Kilograms)

Briese Focus 77

Daily $

Focus 77 is a key-light for ultra-smooth harmonic progressions. Due to its soft reflective reflector-coatings it covers up some errors in the make-up and smoothes out wrinkles, without appearing flat. That makes the focus 77 to one of the most popular Beauty- and Close Up-lights in Photographic- and Filmstudios worldwide.

Our Briese light is offered with a 1.2K HMI or Tungsten globe.

Aura Soft 4K & 2.5K

Daily $

The OpTex Aurasoft delivers a truly natural soft light where you want it, when you want it and at the power level and color temperature you need. And, being a direct light, there are no diffusers, no reflectors – NO SECONDARY SHADOWS! Whether you’re shooting Film, Video or Stills, in the studio or on location, Aurasoft will deliver an astonishingly even, virtually shadowless, soft natural light of stunning quality across an exceptionally large area.

All these remarkable operational benefits are due to the unique, innovative and patented reflector design. Aurasoft’s superb quality of light is no accident. The reflector consists of thousands of tiny, individual spheroidal convex mirrors. Each mirror reflects angled beams of light that crisscross one another, reducing the directness and producing an effect of softness never before achieved. Moire patterning is avoided by varying the mirror size and position. The reflector is mounted in an all new, extremely robust housing designed to stand up to the rigors of film and video location use and is equally well suited to studio shoots.

Interchangeable HMI and Tungsten lampheads make color temperature changes a simple procedure. All lampheads are dimmable. HMI is compatible with most ballasts available from a wide range of manufacturers.

The Aurasoft 600 is available with a 3K Tungsten, 1.2K HMI or 2.5K HMI lamphead.

4K Arc Light Efx Piggyback

Daily $

When size is a restriction on any location, clients know to request a ballast-in-head fixture. The 4kw piggyback uses the same lamp head as the standard 4kw fixture, but with the ballast built into the bottom of the unit for space conservation. No head cables necessary!

Arc Light Efx Britelight 7K

Daily $

The Xenotech Britelight 7000 portable system is the brightest portable searchlight system of it’s size available anywhere in the world. This specialized three-phase searchlight system is designed to withstand the rigors of daily use in motion picture production, rental, and other high demand searchlight applications, the Xenotech Britelight 4000 portable system is a specialized high-wattage searchlight system.

The lamp head optical system utilizes a unique 7000 watt short-arc xenon lamp and a high efficiency short focal length electroformed parabolic reflector to produce the most intense beam of collimated, daylight-balanced light available.
The optical system also incorporates a motorized focus mechanism that allows the beam angle to be adjusted from the lamp head, ballast, or from a remote location when using the optional remote control system. Power control switches located on the rear of the lamp head allow the lamp to be ignited and extinguished at the lamp head as well as the ballast and in remote control locations.

The lamp head cooling system utilizes redundant high-volume, low-velocity blowers to achieve a level of cooling performance far in excess of any comparable system. This level of cooling allows the lamp head to be used in the most demanding temperatures without fear of failure. In addition to its cooling efficiency the cooling system incorporates extensive sound absorbing, vibration dampening, and baffling to minimize the cooling system sound level.

The new Xenotech high-current globe interface allows the globe to be serviced or replaced from the front of the lamp head with just the removal of the front lens holder. The lamp head yoke terminates in a standard 1-1/8″ pin, allowing the use of all stands, hanging, and mounting devices configured for this size pin.

The Britelight 7000 lamp head is safety listed as “suitable of wet locations” by ETL

Kino Flo

Daily $Call For Price

Kino Flo is one of the most versatile lights in the industry. We have sizes ranging from 2 foot singles to 4 foot 4 banks. Any questions on Kino products please give us a call.

Available from 2700K Globes to 5600K Globes.

Specialty globes available as well call for more details.

Kino Wall-O-Lite

Daily $

The Kino Flo Wall-o-Lite uses 10 – 4ft T12 True Match tubes making it an ideal softlight source for filming on location. It can be safely plugged into wall outlets because it operates at 1/4 the power of comparable tungsten softlights. And, with a narrow profile, the Flo Wall-o-Lite fixture approximates the quality of light from bounced sources. As a comparison, one fixture can put out as much light as a 2.5K HMI fresnel bounced off white foam core, yet with its narrow profile it can be backed up to a wall with a minimal loss of set space. The Wall-o-Lite is as flexible and easy to manipulate as a bounce card on a grip stand.

Kino Flo Image 87 DMX

Daily $

The Image 87 DMX fixture’s large soft light coverage and its small, energy footprint at only 4.8A 120VAC, combined with the ease of rigging compared to tungsten lighting sources makes it the darling of motion picture and television visual effects designers.

The relatively cool source takes about six different colored visual effects lighting colors, but most notably the specialized Kino Flo spiked blue and spiked green tubes for deep, rich saturation of color when lighting blue and green colored cyclorama stages.

Its smaller sibling, the Image 47 DMX, produces the same quality of light, with the same light control and beam spread features, but uses half the energy. The Image 47 works ideally on bluescreen and greenscreen stages that are no more than 15 feet in height.

Flathead 80/DMX

Daily $

What is a Flathead 80? Basically, the Flathead 80 is a hybrid Kino Flo. Its design adds flexibility and versatilty to the

popular 4Bank portable system with the outsized soft light quality you’d expect from a large fixture like the Image 87.

It can be hand-held, mounted on a light stand or hoisted from rigging points to work as a cool, energy efficient coop light.

The 8-Lamp Fixture

Aluminum alloy fixture housing
Reflector, Gel Frame, Louver
Twist-on Center Mount
True Match® daylight, tungsten The High Output Ballast (X2)
4Bank and 4Bank DMX
Universal input 100VAC-240VAC
HO/Standard switching
Flicker-free, remote operation
Individual lamp control

Kino Flo ParaBeam

Daily $

The ParaBeam 410 and 210 studio fixtures display about the same amount of soft light as a 2,000 Watt and 1,000 Watt tungsten light, respectively. But ParaBeams only use 1/4th as much power! Both studio lights take Kino Flo True Match®
high color rendering lamps (CRI 95).

The soft beam actually can be focused for a wide variety of set lighting looks, from lighting four people across a news desk to spotting down to a single subject. Some of the ParaBeam’s details are:

• Onboard/remote DMX dimming
• Auto terminate for DMX
• Lamp/Select switching (410 fixture only)
• Parabolic intensifying reflector
• Gel Frame
• Focusing Louver
• True Match® daylight, tungsten

Kino Flo Diva Lite 415

Daily $

The Diva-Lite 415 Fixture
• Built-in dimming ballast
• Universal input 100VAC-240VAC
• 4-Lamp/2-Lamp switching
• Remote dimming
• Built-in Barndoors
• Center Mount
• Reflector, Louver, Gel Frame
• True Match® daylight and tungsten balanced lamps

Kino Mini Flo Kits

Daily $

The Mini-Flo System, sometimes called a “car kit,” can be found most often lighting nighttime car interiors and other small areas. However, over the years, the Mini-Flo’s unique lightweight and color control features have endeared it to video and broadcast lighting designers as a cool, efficient chin light for speakers at a podium or news anchors in a TV studio. The Mini-Flo is available with single dimming ballasts, plus a choice of 9” or 12” fixture and lamp sizes.

Mini-Flo Features Include

12V Dimming Ballast
Flicker-free, instant-on
Runs lamps 9″ and 12″
Removable Lamp Harness
Focusing Louver
True Match® daylight and tungsten lamps

Mini-Flo System Highlights

1-Lamp remote fixture
Fixture includes Louver and removable Harness
Same fixture takes daylight and tungsten lamps
Light enough to tape to car dashboard
Fixture or Lamp w/ harness runs up to 48ft (15m) (4 x 12ft cables) from ballast
High Output, Flicker-free Ballast
Instant-on, dead quiet
Dimming control
Same ballast runs 9″ & 12″ lamps
UL listed, CE approved

Fresnels 100W to 20K

Daily $

We offer fresnels of all sizes! From small LTM 100W Peppers all the way up to 20K bright eyes. For pricing information please give us a call!

Arri Softbank I Tungsten 4 Light Kit

Daily $

1- 300 Fresnel
2- 650 Fresnels
1- Arri 1K Open Face
High Output HPL Lamp
Barndoors, Filter Frames
Scrims, Stands, Bulbs
Accessory Pack
24 x 32″ Softbox, Heavy Duty Case

Customize this package to your liking as well! Feel free to give us a call with any questions.

ETC Source Four Leko 750

Daily $

No other light offers such optical brilliance. Source Four’s revolutionary technology gives you a clean white beam for unequaled imaging, crisp pattern projection, and a bright, even field. The EDLT lens tube option for 19º, 26º, 36º and 50º field angles makes the Source Four even better for ultra-crisp, high-contrast gobo projections.

Product Features

5º, 10º, 14º, 19º, 26º, 36º, 50º, 70º and 90º field angles
Rated up to 750W
Super-efficient HPL lamp
Faceted dichroic reflector removes 90% of IR heat from beam
Interchangeable lens tubes
Rotating barrel ± 25º
Three-plane stainless-steel shutter blade assembly
Tool-free lamp adjustment
Insulated rear handle
Rugged die-cast aluminum construction
Supports Dimmer Doubling™ (North America only)

Open Face Fixtures

Daily $

We offer 1k and 2k open face fixtures.

Nanlux 1200 Dyno

Daily $

The 0 to 100% dimmable Dyno 1200C RGBW Panel from Nanlux measures 40 x 36 x 7″ and has a wide beam spread that makes it a great choice for all-around use. The panel has an expansive color temperature range from 2700 to 20,000K to meet ambient light challenges, match other fixtures, or just for creative expression. The 1200C’s high CRI of 98 indicates superior accuracy in the rendering of color.

Nanlux 900C RGBW

Daily $

Combining advanced control with RGBLAC capability, the Evoke 900C RGB LED Spot Light from Nanlux is a powerful yet compact fixture with an impressive color temperature range and beam spread of 60°. Its variable 1800 to 20,000K CCT allows you to use it on interiors, exteriors, and mixed lighting environments. The Evoke 900C is dimmable from 0 to 100% in ultra-precise increments of just 0.1%. Besides incorporating lime, amber, and cyan LEDs, the light offers high CRI/TLCI ratings of 96 as your assurance of accuracy in color rendering.

The Evoke 900C is a 940W unit ready to work in the studio plugged into a standard AC outlet. The included power supply ballast operates on a voltage range from 100 to 240 VAC, so it can be used on location anywhere in the world. Additionally, it can also run on an optional DC battery source when mains current is unavailable. This kit comes with a yoke, a 45° reflector, and a super clamp. A trolley carry case is supplied as well for easy portability, making it a complete lighting solution.

Nanlux 1200 B Evoke

Daily $

Nanlux has put together this Evoke 1200B LED Bi-Color Spot Light Kit with Fresnel Lens and Flight Case for shooters who want to take the light on location. The kit features the 1200B and ballast, as well as a Fresnel lens and flight case. Adopting a popular, easy-to-use form factor, the 1200B has an expansive variable color range from 2700 to 6500K with high CRI and TLCI ratings or 96 and 97 to leave no doubt that color will be rendered accurately down to the subtlest hue. The 1200B is dimmable from 0 to 100% in 0.1% increments and has linear, S-curve, exponent, and logarithm dimming curves to guarantee color accuracy regardless of your chosen light intensity.

Nanlux 1200 D Evoke

Daily $

Adopting a popular, easy-to-use form factor, this Evoke 1200 LED Daylight Spot Light from Nanlux has a daylight color temperature of 5600K and a high CRI/TLCI rating of 96/97 to indicate precise accuracy in color rendition. The fixture with yoke measures 19.8 x 14.5 x 8.3″ and will give you 18,400 Lux with the included 45° reflector, rivaling the output of a 1.2K incandescent fixture. It is dimmable from 0 to 100% and you can make power adjustments and turn the unit on and off locally on the light as well as from a remote console or wirelessly via 2.4 GHz signal, Bluetooth, DMX/RDM, or LumenRadio. You can turn the quiet fan off for in sound-sensitive situations.

Aputure LS-Mini 20 3 Light Kit

Daily $

The LS-mini20 Daylight / Bi-Color 3-Light Flight Kit from Aputure is a lightweight 3-point lighting setup that’s great in the studio but also great on the road. Each light comes with a 4-way barndoors, an AC adapter, a NP-F970 battery with adapter and charger, a USB cable, a crab clamp, a D-Tap cable, a filter set, and a universal cold shoe mount. It all fits in the padded kit case.

Aputure MC 4 Travel Kit

Daily $

The Aputure MC 4-Light Travel Kit is designed for guerrilla and travel filmmakers. Bundling convenient wireless chargers into a durable hard shell case, that’s slim enough to fit in a camera bag or backpack, ensures that your lights will always be ready to spring into action when you are.

Aputure Nova P300C

Daily $

The Nova P300c is a 300W RGBWW LED Soft Light, and is also the first product in Aputure “Nova” Professional LED Panel product line. The P300c utilizes warm white and cool white LEDs, in addition to the typical RGB chipset used in color-mixing lights. This chipset increases its output, skin tone accuracy, and tonal variety compared to other RGB or RGBW LED fixtures, making it suited for any filmmaking environment. Combining the stellar color quality with an intense output of over 9,000lux at 1 meter, a CCT range of 2,000K-10,000K, and a peak tungsten SSI of 85, the Nova is Aputure’s most versatile light to date.

Aputure 60D

Daily $

The LS 60d Daylight LED Focusing Flood Light from Aputure is a precision fixture with beam spread, power, and light intensity options. The light has a solid 5600K color temperature that’s great for shooting outdoors, or in areas dominated by large windows, or for matching other fixtures. The light’s beam spread range of a tight 15 degrees to a medium flood of 45 degrees can be further modified by the included 8-way barndoors for selective lighting. Light intensity is adjustable too from 0 to 100%.

Aputure 120D 2 Light Kit

Daily $

Aputure has assembled this Light Storm LC 120d II Daylight LED 2-Light Kit with V-Mount Battery Plate for image-makers who require precision lighting tools with power options for the studio or on the road. The kit includes two Light Storm LC 120d II Daylight LED fixtures, each with a V-Mount battery plate, a set of 4-way barndoors, a controller with 100-240 VAC power supply, a wireless remote control, and a 7.5′ light stand. A padded SKB case with a custom Think Tank interior is included for storage and transport.

Aputure 600X

Daily $

The LS 600x Pro boasts an expanded bi-color range of 2700K~6500K while still being able maintain an impressive output. Equipped with its native Hyper-Reflector, the 600x Pro can output 5,610 lux at 3 meters (10 feet). With the F10 Fresnel modifier, the combination can reach an illuminance of 18,510 lux at 3 meters in 15° spot.

Aputure 600D

Daily $

The LS 600d Pro is one of the brightest point-source LED lights on the market, boasting an immensely bright 600W COB LED output. Designed with professionals in mind, the LS 600d Pro features a 5,600K CCT, weather-resistant construction, wide variety of power options, impeccable color accuracy of a CRI/TLCI scores of 96+ and SSI(D56) score of 72, and professional level lighting controls to transform your lighting scene for any production.

Aputure 1200 D

Daily $

The LS 1200d Pro is the brightest fixture in the Aputure and Light Storm lineup, utilizing a 1200W Daylight COB chipset to compete on the same level as industry-standard HMI Lights, with a staggering 83,100+ lux output at 3 meters with the Hyper Reflector (Narrow).

CreamSource SpaceX

Daily $

The Creamsource SpaceX is an innovative approach to high powered film and TV lighting providing a full spectrum soft source. SpaceX combines the latest LED technology with sophisticated colour management, optimised form factor, ergonomics and elegant design in a light weight 18kg/40Lb package.

SpaceX boasts an array of six powerful LED engines, cooled by a highly efficient and quiet fan system, and integrated lightweight power supply directly into the fixture – doing away with bulky and heavy external ballasts.

SpaceX opens up a myriad of possibilities for gaffers and lighting specialists, in-studio and on location.

But… It’s expensive, right?

Nope! You get twice the light output for your dollar compared to the rest of the market. At $5.40 per Watt of power, SpaceX is under half the average market price.

CreamSource Vortex 4

Daily $

The Vortex4 is a 1×1 RGBW All-In-One system with PSU and antennas integrated, reading 7300lux @3m on the meter. This fixture has a CCT range from 2200K to 15000K. Vortex can be used as a hard light or soft light with the Creamsource Diffuser or Dome.

Effects and colour gels and our latest technology ‘FrameSync’ are built into the latest CreamOS architecture. Like it’s big brother, Vortex4 has no problem with weather, messy effects machines or extreme dust. The Vortex4 is IP65 water resistant and sealed for the ultimate security and efficiency.

CreamSource Vortex 8

Daily $

The Vortex8 is a versatile 2×1 RGBW system with CCT ranging from 2200K to 15000K that can be used as a hard punch light to bounce or push through diffusion, or as a creamy soft light with the Creamsource Dome or DoPchoice Snapbag. Effects and colour Gels are built into the latest CreamOS architecture in addition to a range of new features wrapped into an intuitive user interface.

Unpredictable weather and messy effects machines are no longer a worry for the lighting department where the Vortex is in place. The Vortex8 is IP65 water resistant and sealed for the ultimate security and efficiency. Rain, snow and dust wont hold the Vortex back.

Astera Titan Kit

Daily $

This Titan Tube 8-Light Kit from Astera is a formidable setup destined for the road. The set includes eight 3.4′ Titan RGB tubes and a hard, shippable charging case with an included DMX-compatible PowerBox that can actually charge the tubes with them inside. Astera has provided a full array of mounting options including sixteen holders with cotter pins for truss mounting, and sixteen spigots for joining tubes together and to be used as mounting studs for the eight included floor stands.

Astera Helios Kit

Daily $

This Helios Tube 8-Light Kit from Astera is a formidable setup destined for the road. The set includes eight 1.8′ Helios RGB tubes and a hard, shippable charging case with an included DMX-compatible PowerBox that can actually charge the tubes with them inside. Astera has provided a full array of mounting options including sixteen holders with cotter pins for truss mounting, and sixteen spigots for joining tubes together and to be used as mounting studs for the eight included floor stands.

Astera NYX Kit

Daily $

The set of eight NYX LED Bulbs with PowerStation, Case, and Accessories from Astera combines eight NYX LED 10W bulbs with a PowerStation and multi-voltage AC power supply. Each LED bulb includes a cup bouncer and USB connection cable, and the entire array of equipment packs into a corrosion-proof, high-impact case for storage and easy transport to any location.

Astera PixelBrick 8 Kit

Daily $

This PixelBrick 8-Light Kit with Accessories from Astera features eight PixelBrick 15W RGB LED fixtures, each with a BrickConnect, a FloodFilter, and a BeamSoftener. A charging case, powerbox, and powerCON TRUE 1 cable are also included.

Astera AX3 Kit

Daily $

The 8-Light AX3 LightDrop LED Kit with Charging Case from Astera is a self-contained location lighting solution in a durable travel case. The travel-rated case has a fitted foam interior to store and protect eight AX3 LightDrop LED lights during transport and then charge them for use anywhere in the world. The case includes room for the 16 included light modifiers, 24 hanging hooks, 32 rubber feet, and eight socket covers.

Astera AX5 Kit

Daily $

This AX5 Octo Set from Astera gives you eight AX5 lights in a road case with a charging plate. One powerCon connector for the charging plate is included. Take a full lighting kit on the go and power it when not in use.

Astera AX10

Daily $

AX10 is the brightest and the most advanced battery operated entertainment spotlight; it features high quality Philips RGBAW LEDs, TruColor calibration, long-life LG-Chem batteries and an uniquely engineered housing to increase cooling and optimize performance. Battery powered, remote controlled IP65, and a carry handle built into its stand.

Arri Orbiter

Daily $

The ARRI Orbiter LED Light is part of a tunable light system with a powerful color engine and versatile, changeable optics. ARRI’s 190-LED Spectra system features a wide range of color features allowing you to create an enormous range of colors with its six-color light engine, The light runs on universal 100 to 260V but it will also run on 48V batteries when AC power is unavailable.

Skypanel S360

Daily $

Introducing the S360-C

The ARRI SkyPanel has always been known for its tremendous output and large light aperture. The new S360-C has expanded ARRI’s LED soft light range with the largest and brightest SkyPanel to date. Not only is the S360-C powerful, but it is packed full of exciting features, making it one of the most versatile LED fixtures on the market. Features include full-color control, lighting effects on a huge aperture, wireless DMX built-in, a unique carbon fiber yoke, and much more.

Arri S120 Skypanel

Daily $

ARRI continues to literally broaden their LED line with the introduction of the wide-format SkyPanel S120-C LED Softlight. Supported by an aluminum yoke, the panel surface area measures 50.8 x 11.8″ and employs interchangeable thermoplastic diffusers that range from Lite to Heavy to soften the light and wrap its output around your subject. A Standard medium diffuser is included with the light. The SkyPanel outputs the approximate equivalent of a 2000W tungsten soft light while drawing a maximum of only 430W.

Arri Skypanel S60-C

Daily $

The S60 is a mid- range model, featuring a light aperture of 645 x 300 mm and accommodating the vast majority of applications. The S30 is a smaller, more portable version; half the length of the S60, it is perfect for on-the-go mobile applications. The S60 and the S30 are available in fully color tuneable and remote phosphor versions.

Unlike other tuneable fixtures, SkyPanel makes no sacrifice when it comes to light output. SkyPanel puts out a tremendous amount of light, in a soft and uniform beam field. Brighter than a 1 kW tungsten soft light or a 3 kW tungsten space light, the SkyPanel S30 has more than enough light for most applications. At the same time, the lamphead is able to perform beautifully at lower light levels. This range of illumination and color gives users an unprecedented amount of control.

Skypanel S30-C

Daily $

ARRI continues to broaden their LED line and reaffirm their commitment to accurate color rendering with the introduction of the blue/silver SkyPanel S30-C LED Softlight. Supported by a manual aluminum yoke, the panel’s surface area measures 14 x 11.8″, making it an ideal portable, on-the-go light source for mobile applications. Output is controlled via interchangeable thermoplastic diffusers that range from Standard to Lite to Heavy to soften the light and wrap its output around your subject and the SkyPanel S30-C outputs the equivalent of a 1000W tungsten soft light while drawing a maximum of only 240W.

Arri L7C

Daily $

The Silver/Blue, Manual Mount L7-C LE2 Color LED Fresnel is part of ARRI‘s continuing effort to replace traditional Fresnels with powerful LED versions that offer unprecedented color control. The L7-C LE2 shares many characteristics with its predecessor, but the most obvious improvement is a 25% boost in power, increasing the light’s tungsten equivalency from 750W to 1000W. This stand/manual mount version has a yoke with a 1-1/8″ Junior pin.

The key characteristic of any Fresnel is flood-to-spot capability, and the L7-C LE2 meets and exceeds expectations with an impressive beam angle of 15-50°. There’s no learning curve when swapping out L7-C LE2 fixtures for fixtures with standard Fresnels. In fact, you’re not going to be moving them around or juggling scrims in high places thanks to the 100 – 0% on-board dimming.

The L7-C LE2 is a “fully tune-able” white light source too, allowing you to match existing fixtures from a warm 2800K to ice-blue 10,000K. The on-board controller allows manual intensity control as well as color temperature and +/- green. Specific color shades and skin tones can be matched through the full gamut color mixing feature. All functions can be controlled via DMX, an ideal feature for broadcast studios. The hybrid cooling system allows for cooling both actively (with a fan) or passively (without a fan) for times when the set needs to be dead quiet. The L7-C LE2’s 1000W equivalent output draws only 160W during normal operation, making possible a savings of a 75% over similar output tungsten lights. And low heat means lower AC bills in the studio. You can actually run 9x L7-C LE2’s from a 20A, 120VAC outlet as opposed to two 1000W or three 650W standard fixtures.

Attributes and Benefits

L7-C LE2s with Light Engine 2 are 25% brighter than previous versions
Fully tuneable from 2800 – 10,000K
Plus/Minusgreen correction
Vibrant color selection (RGB+W color gamut)
Hue and saturation control
High color rendering
Low power consumption (160W nominal)
Fully dimmable
True Fresnel lens light characteristics from LEDs
Onboard DMX In and Out
RDM implementation
USB Mini connection for firmware updates
Available in blue/silver and black
Fan mode selection

Arri L10-C

Daily $

This stand mount 15 to 50 degree focusable ARRI L10-C Color LED Fresnel is part of the company’s L10 series of Fresnels. The L10-C is the most versatile of the series with regard to color tuneability, producing vivid colors with saturation control.

The light’s 10″ Fresnel lens and powerful output allow for more distant fixture placement and the wrapping of light around objects in a natural and pleasing way. Consuming only 400 Watts, it is extremely energy efficient, requiring one-fifth of the power as a traditional 2K light while outputting light equivalent to a 1,700W bulb.

Attributes

Fully color tuneable from 2,800 – 10,000K
Plus/Minus Green correction
Vibrant color selection (RGB+W color gamut)
Hue and saturation control
High color rendering
Low power consumption
Fully dimmable
True Fresnel lens light characteristics
Onboard DMX in and out
RDM implementation
USB Mini connection for firmware updates
Fan mode selection
powerCON TRUE1 power connector

RGB Rainbow X Quasars

Daily $

The new Q-LED Rainbow Linear LED Lamp featuring RGBX can paint your world with vibrant saturated color and illuminate it with powerful white light from our 2000° Candlelight to 6000° Daylight Kelvin.

All Rainbow Lamps are equipped with onboard digital interface giving you command of Intensity, Kelvin, Hue & Saturation. Each lamp has a built in Lumen Radio CRMX chip for wireless control. The Rainbow can also be wired to DMX via Cat5 I/O Port.

The lamp is Self Ballasted AC input utilizing Neutrik True1 locking connector as well as locking Barrel connector for DC input.

Features:

X-fade White Light: Crossfading our Candlelight diode (2000k) and Daylight diode (6000k) mixing a balanced variable color spectrum. With independent 2000-6000° diodes we give a full range of high quality broad spectrum light and allow color saturation without the muddy effects of RGB derived white light. Includes Kelvin presets at 2000° (2800°) 3200° 4000° (5000°) 5600° 6000°
RGB: A rainbow of color at your figure tips. With a full 360° palette for vibrant fully saturated color or mixed with X-fade white light for soft beautiful pastels. Includes color presets for Blue, Cyan, Green, Yellow, Orange, Red, Magenta, Purple.
Low Profile Shape: Easy to hide when space is at a minimum, the slender linear lamps can be mounted tight against a wall or ceiling.
Expandable and Scalable: Stack them in a column to create large LED panels of any size, or end to end for long linear lighting sources. Create geometric patterns and 3D structures or spell out words the options are endless.
Control Panel: No need to pull out your phone or have a Wi-Fi network. The Rainbow comes equipped with an on-board control panel allowing you to set Intensity, CCT, Saturation, Hue, FX and much more.
FX: Onboard effects with adjustable parameters. Including Fire, Police Light, Short Circuit, Paparazzi, Strobe and Rainbow Color Scroll.

DMX Port: With DMX I/O, the Rainbow can be wired for DMX data control and passed through for chaining multiple lamps together.

Wireless Control: Equipped standard with Lumen Radio CRMX wireless transceivers, Rainbow lamps can be controlled remotely via compatible transmitters.
Lead / Follow Mode: Set a master lamp and control all others. Rainbow LED lamps can be set to send or receive commands to and from any other Rainbow making it easy to change the settings of any multi lamp fixture or rig without dialling each lamp.
Energy Efficiency: The Rainbow Lamps vastly outperform traditional Quartz, Halogen and HMI lighting sources in luminous output to power consumption ratio.
Self Ballasted AC Input: Run a line, RGB-X Rainbow Lamps use 100-265VAC (World Power) via Neutrik True1 connect and do not require troublesome external ballasts, power supplies or data boxes.
DC Battery option: Grab a battery, RGB-X Rainbow Lamps can run off of 10-26 VDC via locking 2.1mm x 5.5 barrel connector.

Mole LED Spacelights

Daily $

3200K & 5600K True Film-Friendly Color
Avaliable on chain or yoke
Over 35,000 Hour Lamp Life from Quantum Dot on-board LED module
Universal A/C input voltage from 90-250V
True, linear 100-0% Local and Remote Dimming via DMX 512A
2 DMX Channels per fixture for even greater controlv
Silent dimming with little to no color shift
Fits all existing and standard SpaceLite accessories
Universal powerCon AC input with powerCon pass-thru capability
Made in the USA

Kino Select LED 30 DMX

Daily $

Kino Flo’s Select LED 30 and 20 DMX systems were launched with great success in June 2016. Lighting crews embraced the remote LED controller and the light-weight fixture that allow for rigging flexibility. In addition, users welcomed the ability to dim without color shift, dial in Kelvin temperatures, and select Green/Magenta settings using on-board controls or DMX lighting consoles. But, there was also a built-in secret.

Kino Flo launched the Select LED system as a white light source with Green/Magenta selection. Kino Flo used an RGB emitter to control the Green/Magenta color, but we knew that the RGB feature could do more. We just needed to sort out a menu system that would be as intuitive when using the controller manually as when using it on DMX.

The solution was to have a second menu option. Those who prefer to work with white light can use the “white menu” that gives the user access to Dimming, Kelvin and Green/Magenta control channels.

Those who want additional features can switch over to the new “color menu”. In the color menu, the Kelvin range travels from 2500K tungsten to 9900K daylight, and Kino Flo has set up a fourth channel called Gels. The Gel channel includes Kino Flo colors to match Candle Flame, Warm White, Cool White, Sodium Vapor, Mercury Vapor, 20K Blue Sky, Green Screen and Blue screen.
In addition, there is a range of gels that can be applied to any Kelvin setting. Simply scroll through the menu to choose up to
105 well-known lighting gels.

In the color menu there is also a fifth channel called Hue Angle and sixth channel, Saturation. These two channels behave
similar to a traditional color wheel, where you have white light in the center, the Hue angle determines the color along a
360-degree range, and Saturation determines how much color is applied. For example, if a user wants to review the choices,
they can set Saturation to 100% and scroll through 360-degrees of color to choose the desired hue, and adjust the Saturation to their liking. Reducing the saturation to “0” will take the settings back to white light.

Kino Flo Celeb 200

Daily $

The Celeb® LED 201 DMX produces a soft, even wraparound lighting quality (CRI 95) and produces color faithfully, beautifully on HD or film, in the studio or on location. The Celeb LED 201 measures 24” x 14” (61cm x 35.5cm) and is similar in profile and light output as the popular Diva-Lite 415.

The Celeb LED boasts technical innovations that make it an ideal professional imaging tool: a dial-in variable color temperature control, full-range dimming and programmable 2700K to 6500K presets. The Celeb LED’s 100 Watts of soft, lustrous white light doesn’t flicker or shift color temperature when dimmed. With the use of a Lumen Radio transmitter (sold separately), the Celeb LED 201 can be operated DMX wirelessly as an alternative to DMX cables.

The trim, lightweight fixture operates on universal AC power, 100VAC-240VAC, and needs only less than one amp to produce more lumens than a 750W tungsten soft light. The Celeb LED 201 can also be powered by 24VDC battery. The Celeb LED’s cost savings from low energy and long lamp life continues Kino Flo’s reputation as an environmentally friendly lighting company.

The Celeb LED 201 comes complete with 360 degree mounting, molded accessory holders, removable gel frame and focusing louver.

DMG Lumiere SL1 Bi-Color

Daily $

The SL1 by LUMIÈRE is a LED light designed by a gaffer and a cinematographer, exclusively for the Motion Picture Industry.

Incredible color quality with CRI > 94 and TLCI > 91-94 with a very fine color temperature tolerance
Incredible size/weight/power ratio
Comes with frosted diffuser (easily removable) and the 360° Mount as standard
Comes with DOP choice snapgrid, diffusion, and softbox.

DMG Lumiere Mini Bi-Color

Daily $

The MINI Switch has the same attributes as the original SL1 Switch, which for its size/weight/power ratio has an outstanding light quality.

Together the sleekness (0.8″) and light weight (3.7lbs) design, enhance the MINI Switch’s’ usability, making it a perfect on-location light.

Its frame and accessories have been designed to be both robust and ergonomic, which add to the facility of use.

Autonomous, mobile and heavily accessorised, the MINI Switch offers maximum usability in any shooting conditions.

Comes with DOP choice snapgrid, diffusion, and softbox.

Litegear Spectrum

Daily $

LiteMat Spectrum is the most camera-compliant LED light fixture available. It can accurately reproduce any shade of white that the camera considers correct. That can be anywhere between 2,000K and 11,000K with +/- 8 points of tint correction. LiteMat Spectrum can also augment its white light with color accents. Saturated color can be delicately added with 100 shades of depth. LiteMat Spectrum can also improve post-production workflows. It is the first lighting system to be certified color space compliant. That means taking the guesswork out of color mixing for digital cinema. Its unique and patent-pending color processing engine also provides wide color gamut desaturation.

Litegear 10x10 Auroris

Daily $

The Auroris is a full-color, overhead light source that combines high-quality color rendition and precision control in one sleek, easy-to-use package. Powered by LiteGear’s Spectrum technology, Auroris’s 12 or 24 large-format pixels make for a complete pixel mappable source that can cover up to 100 square foot area with just one fixture. Designed to be light on weight and easy to rig, Auroris is one of the slimmest, most versatile soft lights, period.

LiteTile Plus 4 & 8

Daily $

LiteTile Plus Kit, 2×8 is the first foldable LED lighting fixture made completely with engineered textiles. LiteTile+ Plus 8 allows the user to install thin, soft, and adjustable Kelvin light into areas previously inaccessible. Because LiteTile+ Plus folds up to 180º between each light engine, the luminaire can be shaped into numerous configurations allowing for 360º, two-sided, or irregularly shaped setups. LiteTile+ Plus 8 can be directly attached to walls or ceiling surfaces such as office drop-ceilings with just spring-clips or tape. The LiteTile+ Plus 8really shows its versatility when four units are coupled together and attached to an overhead/butterfly 8’ x 8’ frame. That is 1600 watts and more than 18400 cinema quality emitters creating ultra-soft Hybrid light output without the need for additional diffusion.

Litemat Plus Series

Daily $

Comes in 5 different sizes to learn more about these fixtures visit the LiteGear website.

The new LiteMat+ Plus series of LED light fixtures is the ideal luminaire for set lighting and rental company inventories. LiteMat+ Plus incorporates everything you love about LiteMat, features the new CineMitter, and adds some distinctly new features. The most notable change is the PL7 locking connection system, which happens to be the same for every size of LiteMat+ Plus and the new LiteDimmer+ Plus series of dimmers with built-in camera battery mounts. Available in 5 sizes, LiteMat remains one of the most affordable, professional cinema lighting fixtures available today.

LiteGear officially unveils the new CineMitter series of applied-phosphor LEDs. Exclusive to LiteGear, these new emitters set the standard for cinematic, color-correct LED lighting. Efficient and full-spectrum, these LED chips offer state-of-the-art output with a 40% increase in brightness over VHO Pro. Another distinct feature of the CineMitter is the extended Kelvin range. LiteGear pushed the lower CCT to 2600 degrees Kelvin (K) allowing for candlelight or deep-tungsten output while increasing the CRI to a staggering 95+ — that’s nearly indistinguishable from traditional incandescent sources! On the cool side, the CCT was pushed up to 6200K to better balance for overcast sky or cool white fluorescents. This increase in CCT still achieves a CRI of 95+ and provides beautiful, full-spectrum daylight.

Litepanels Gemini

Daily $

Flexibility and control are key to the creation of the Gemini 2×1 Bi-Color LED Soft Panel with Standard Yoke and US Power Cable from Litepanels. The aluminum-constructed, 25.0 x 6.5 x 12.5″ fixture has 3 lighting modes. The CCT color temperature control has 6 factory presets in increments from 2700 to 6000K. There are also 6 presets for user-defined color temperature and plus/minus green control. The HSI Color mode allows you to adjust the hue, saturation, and intensity, while Gel mode permits your choice from a library of filters often used by image makers. A firmware update adds a Lighting Effects Mode that includes TV simulation, hue burst, paparazzi, strobe, fire, squares, fireworks, emergency lights, pulse and party lights. The light has a CRI/TLCI rating of 97 for daylight balance and 99 for tungsten balance, indicating a very accurate rendition of color. The Gemini is dimmable from 100 to 0% without flicker or color shift. Settings and features are displayed on the rear LCD screen.

All of these adjustments can be made locally on the unit or remotely via a console, thanks to the Gemini’s built in DMX. There’s even the option of wireless DMX or Bluetooth control via a separately purchased remote module. The Gemini is ready for worldwide use, thanks to its built in 100 to 240 VAC power supply but it can also run on batteries when power is unavailable.

The Gemini has a number of convenience features, such as the ability to stack and gang several lights together with an optional yoke and hardware. You can also daisy-chain multiple lights together in Master/Slave mode, allowing a single designated “Master” light to control the others. This version of the Gemini ships with a standard yoke and a US power cable.

3 Lighting Modes

CCT (Correlated Color Temperature) mode allows for bi-color (daylight to tungsten) operation with the addition of plus and minus green adjustment
HSI Color mode allows for full color control over hue, saturation, and intensity
Gel mode allows for a variety of gels to be selected from the menu

Firmware Update for Special Effects: A firmware update adds a Lighting Effects Mode that includes TV simulation, hue burst, paparazzi, strobe, fire, squares, fireworks, emergency lights, pulse and party lights.

Performance

Flicker-free at any frame rate or shutter angle at any intensity level
Smooth dimming from 100 to 0%, with no color shift
Energy efficient – fixture draws only 325W nominal
No heavy external ballast or restrike period

Presets

Program user presets on Channel A, which records color and intensity. It also has factory presets on channel B with increments for 2700 to 6000K plus six user-programmable presets

Control

Master/Slave mode – connect multiple lights together and control them all from a single master light
Optional Bluetooth and wireless DMX modules allow the brightness, color, and cooling mode to be remote controlled
Intuitive and ergonomic controls for dimming, color, and fixture set up

Power Options

AC/DC power with DC battery power via 3-pin XLR

Durability and Design Features

Aluminum core construction to provide maximum durability and superior thermal management
Durable, industry standard powerCon locking power connector with ability to daisy chain power
Yoke with Junior pin for easy mounting and positioning
LCD screen displays vital settings and status
Barndoor/honeycomb accessory rails

Litepanel Astra 1x1 BiColor

Daily $

The ASTRA 1×1 Bi-Color panel builds on the legacy of the original 1×1 fixture, which revolutionized the lighting industry. This innovative daylight to tungsten tunable color model was years in the making, with every design element of this next generation panel being meticulously crafted. Following the Litepanels tradition of a one square foot form factor, the ASTRA series is designed with select premium quality, high CRI, surface mount LEDs and paired with custom designed TIR optics. These tightly binned LEDs and fine-tuned optics provide the ASTRA 1×1 with superior color reproduction and a light output that is up to four times brighter than traditional LED panels. This higher intensity results in a longer throw and illuminates a wider area, allowing the panel to compete with strong exterior light sources or illuminate a large area effectively with just a single fixture. See Product Comparison.

Output is 4X brighter than the original 1×1 LED panel
- High performance LEDs with custom paired optics
- Higher intensity = Longer throw = Wider effective beam spread
Superior color reproduction
- High color rendition (CRI)
- Adjustable (daylight to tungsten), accurate color temperatures
Efficient thermal management with user selectable dual cooling mode
- Completely silent passive cooling mode
- Ultra-quiet active cooling mode with double light output
Ultra-smooth dimming from 100% to 0
- No noticeable color shift throughout the entire range
- Flicker-free at any frame rate or shutter angle
Flexible, modular concept
- Optional communications module allows the brightness, color temperature, and cooling mode to be controlled via DMX512 protocol (Additional module options under development)
- Optional yoke mounted Gold Mount® or V-Mount battery plates
- Field replaceable fan module and external power supply
Modern fixture design
- Easily identifiable and ergonomic manual controls for dimming, color, and power status
- Aluminum I-beam core construction to provide maximum durability and superior thermal management
- Aluminum accessory mounting points and lens/filter rails
- End cap exhaust vents angle downward to direct air flow away from the fixture and help prevent foreign material from entering
- Durable, industry standard 3-pin XLR locking power connector
Custom curved yoke design
- Wide, unobstructed tilt range
- Yoke mounted power supply and optional battery plates with dual integrated cable guides
- Removable TVMP connector for flexible mounting options
- Two alternate ¼-20 mounting points

Quasar Science LED Lamps 1 Foot to 8 Foot

Daily $

The Quasar Science LED lamps are one of the most versatile pieces of LED technology we have to offer. Turn a kino 4 foot head into an led all with integrated color temperature dimmers. No more gels and no more mess hanging from your fixtures.

Linear LED Lamp

The X Crossfade lamps have a wheel at the end of the unit to scroll to the desired setting.

Length and Wattage:

2′ 25 watt – Q25X – 0.3 Amp at 120v
4′ 50 watt – Q50X – 0.6 Amp at 120v
8′ 100 watt – Q100X – 1.2 Amps at 120v
1′ 15 watt – Q15X – 0.18 Amps at 120v
6′ 75 watt – Q75X – 0.9 Amp at 120v

Color Temp: 2000k-6000k Crossfade Wheel

Color Rendering Index: 95 CRI +
Flicker Free
Dimmer Compatible
25,000 + Hour Lifetime

Nila Boxer

Daily $

The Boxer gives you the most flexibility and best performance for a full range of lighting applications. From punchy to soft, the Boxer’s holographic film lenses allow you to dial in the perfect look every time. The Boxer is the perfect upgrade from hot and power-hungry HMIs and tungsten fixtures. With a power draw of only 200W, flicker-free operation, and powerful output, the Boxer is an indispensable part of any lighting package.

Download Nila’s Boxer Product Data Sheet.

Specifications:

20-30V DC or 90-305V AC Input
ETL and CE compliant
Draws only 200 watts
Power factor corrected
Instant On
Built-in dimmer
Available in daylight or tungsten
Color accurate from fixture to fixture
Stable color reproduction through entire dim range
Flicker-free up to 5000 FPS for full dim range
Flicker-free at any speed at 100%
Emits no UV or IR
Long-life LEDs
Built-in Chimera mount
DMX controllable
Two year limited warranty

Westcott Bi-Color Flex Lights

Daily $

Multiple Sizes

1×1 | 3 x 10 | 1 x 2

PRODUCT HIGHLIGHTS

Flexible, Moldable LED Panel
Bi-Color 2800-6000K Color Temperature
Beam Angle: 140-360°
CRI: 95-98
Splash and Dustproof, IP 64 Rating
Thin Profile Measures 0.25″ Thick
External Dimmer, 0-100% Control
Compatible with Scrim Jim Cine Frames

Westscott Ice Light

Daily $

The Westcott Ice Light 2 LED light is an enhanced version of its predecessor built on the wish lists of photographers in the field. As their first order of business, Westcott made the light 50% brighter while maintaining its 21.6 x 7.5″ form factor and rendering color-accurate output with a very high CRI of 96. Ten-step dimming is accessed via the unit’s handle which has a built-in digital display. The light also has a USB port and built-in Bluetooth technology for future wireless control. For videographers, Westcott has doubled their efforts to produce a truly flicker-free fixture.

A removable Lithium-ion battery is yet another Ice Light 2 refinement. A 2.5-hour charge gives you 60+ minutes of runtime with the convenience of being able to charge a backup battery outside of the fixture. You can also double your runtime by attaching an optional power pack battery extension. It uses the same charger as the Ice Light 2. Like Its predecessor, the Ice Light 2 is virtually heat-free. Hold it as close as you want to your subject; the closer you get the more Ice Light’s wrap-around quality of light becomes evident. Since it’s virtually heat-free you never have to worry about injuring the talent or damaging the set.

While the ergonomic shape easily lends itself to handheld operation, the Ice Light 2 has a 1/4″-20 tap at each end of it for mounting it to a light stand or other accessory. The Ice Light 2 comes with gel clips, a tungsten-balanced gel filter, 2-way connector, a battery, 100-240 VAC power supply/charger, car charger, cord storage bag and a carry case with shoulder and belt straps.

Arri M18

Daily $

The M18 combines MAX Technology, True Blue features and a new 1800 W lamp. The result is an exciting new class of HMI that can be powered from most domestic sockets. It is as small as a 1200 W PAR lamphead but with 70% higher light output. Adjustable from 20° to 60° beam angle, the M18 can also be used with 1200 W lamps.

Arri M40

Daily $

Like all members of the M-Series, the M40 unifies the advantages of a PAR light and a Fresnel fixture. Due to the unique lens-less MAX Technology, the unit is open face and thus very bright, but also focussable over a range of 18 to 52° HPA (Half Peak Angle), casting a crisp shadow. The reflector characteristics is optimised for 4000 W lamps, but can also be used with 2500 W lamps.

The lamphead is equipped with a CCL module (compensation for cable loss). When operated with the ARRI EB 2.5/4 with CCL, full power is maintained all the way to the lamp even when very long cables are used. This means uniformly high light output independent from cable length.

Arri M90

Daily $

To close the gap between the M40 and the ARRIMAX 18/12, the M90 introduces a new power class of 9,000 W. The unit is open-faced and very bright; it is also focusable from 16° up to 49°, producing a remarkably even light field and a crisp, clear shadow. ARRI technology partner Osram developed a new 9,000 W lamp for the M90, which is stable at 1,000 Hz and almost as small as the 6,000 W lamp that can alternatively be used. This allowed ARRI to design the M90 in a very compact housing, barely larger than the ARRISUN 60.

Accompanying the M90 is a new ballast, the EB 6/9, available in standard and high speed versions. Like other recent ballasts from ARRI, it features CCL (Compensation for Cable Loss) technology and the power-saving ALF (Active Line Filter). The EB 6/9 is DMX compatible and no bigger than ARRI’s existing EB 6000 Baby ballast. ETL certified versions of EB 6/9 are available.

ARRIMAX 18K / 12K

Daily $

The original Academy Award-winning ARRIMAX remains the ultimate choice for productions requiring maximum light output. The 580 mm (22.83”) diameter, parabolic facetted reflector provides continuous focus adjustment from 15° to 50° beam angle and, since the ARRIMAX does not require a set of spread lenses, shadows are sharp and easily cut.

18,000W Single Ended lamps use a sturdier GX51 lamp base for which ARRI engineers have designed a special lampholder. This new lampholder alleviates mechanical stress from the lamp pins, which now serve only as an electrical connection. The lamp clamping mechanism is self-aligning and uses a rugged, recessed lamp lock handle. To ensure that crews can easily use 12,000 W lamps or versions of 18 K Single Ended lamps with G38 bases, the new lampholder accepts either lamp type with no modification or adjustment required.

Briese Focus 180

Daily $

The focus 180 makes the Briese-principle obvious. Fully focused it creates dramatic lighting with multiple screen differences between the centre and the edge of the picture. Almost like day and night. Perfect for strong accentuations. With just one setup you can create various lightning moods. Those characteristics and its versatility make the focus 180 to the favorite of many fashion photographer.

Lamp head: 6000W / 12000W

LTM 18K Fresnel

Daily $

Having a “Big Gun” like this LTM Daylight 18K HMI fresnel light (with its 20-inch lens) in your lighting arsenal gives you the ability to produce a tremendous amount of light from one lighting source– whether used as a daytime fill source or for large nighttime setups. A large, powerful, single light source also eliminates the need to combine multiple light sources which eliminates the multiple shadow problem created by combining sources.

Joleko 400 & 800 (Bug-A-Beam)

Daily $

The K 5600 BUG-LIGHT design offers so many possibilities it is tempting to ‘stick it’ in almost any optical system one runs across. One obvious and popular device is the ETC Source-4. This elegant design of a pattern and Gobo projector has showed up in various applications and is widely accepted throughout the entertainment industry.

The BUG-A-BEAM Adaptor is the part that makes the mating of a Source-4 and our Bug-Light 400 or 800 not only possible but quick and easy. The 400 (or 800) MSR/HMI lamp offers many advantages in this particular application, its 6 mm arc gap is punctual enough and very well suited for such optical design. The 4 to 1 efficiency ratio of HMI versus Tungsten incandescent explains the two full stops gain.

This huge increase in light level allows patterns to be visible in higher ambient light levels, longer distances as well as through the deepest color gels. K 5600 is continuously looking at expanding and promoting the use of its products and HMI in general for location work. The JOKER-BUG program equips the image-maker with a very versatile tool: a PAR fixture for directional lighting, a BUG for soft and lantern lights, a SOFTUBE for linear soft sources and now with the BUGABEAM Adaptor for a controllable high intensity beam projector.

Joker Bug 400 & 800 Par

Daily $

400

The Joker-Bug 400 combines the characteristics of the BUG-LITE 400, a 400 Watt daylight HMI system without optics, with those of the JOKER 400, a PAR 46 fixture using a specular parabolic reflector and a set of 4 lenses. The JOKER-BUG 400 is comparable to a 1500/2000Wquartz fixture but with a power draw of only 5.5 Amps.

In the Bug-Lite mode (no optics) the main application is in traditional Lightbanks as well as Lanterns where it uses the sides as a large reflector, collecting the maximum output of the lamp and filling the front screen very evenly. It is very powerful in daylight interiors and can operate in any position including pointing straight down.

The BEAMER optical accessory turns the BUG-LITE into a JOKER-BUG, a directional PAR unit offering various beam patterns through quick lens changes. The JOKER-BUG 400 offers the most flexible optical configuration for location lighting by achieving Spot to Flood ratios of 80 to 1 with beam angles from as narrow as 5 degrees to as wide as 55 degrees.

The JOKER-BUG 400 is delivered with a Clear Glass Beaker when reaching for full intensity is important, and a Frosted Glass Beaker when light quality is the prime concern. The 400W MSR lamp was selected for its size/weight and the sizes/weights of the
components needed to operate it. The MSR lamp with its GZZ 9.5 base is considerably smaller than the next traditional Wattage, the 575 (G22 base); this in turn allows for more compact and shorter fixture design. The shorter arc gap of the 400 makes up for the difference of output between 400 and 575 and the lower Wattage does not require forced air cooling of the power supply.

The small, quiet ballast can be hidden anywhere and plugs in any circuit without risk of overloading. With the Slimverter 400 and two 30 volt batteries, the JOKER-BUG 400 is the largest 30 volt battery powered HMI. Motion Picture Gaffers and Freelance Cameramen have adopted the JOKER-BUG 400 for fine daylight interiors, car shots, two camera interviews, TV magazines, documentaries and industrials.

800

MORE OUTPUT
Because of the increasing use of Chimera® Lightbanks for fine daylight interiors, two camera interviews, TV magazines, and documentaries, we designed this fixture to take full advantage of the large reflective material inside a Lightbank. Utilizing our BUG™ “bare-bulb” design we can produce an amazing 50% more output than a JOKER 1200!

READY TO FLY
The JOKER-BUG 800 fits in one tiny airline case, weighing only 38lbs. The next wattage up (1200) is twice the size and weight. The actual size of the kit is exactly the same as a JOKER-BUG 400 Kit!

LOCATION FRIENDLY
When working in practical locations such as homes, offices or business, power consumption is a key factor. The JOKER-BUG 800 will produce as much output as a 4,000 Watt quartz fixture with the power draw of only 11 Amps, never risk overloading a circuit again! The next size up (1200) monopolizes an entire circuit whereas the JOKER-BUG 800 will allow for another source such as a JOKER-BUG 400 on the same circuit!